Parasite in city gallery save8/10/2023 ![]() ![]() Rakowitz had “reappeared” the lamassu using the ephemera of exile: cans of Iraqi date syrup in five different brands. The book was tied to his most visible public installation: a large sculpture in Trafalgar Square, inspired by an Iraqi monument built in ancient Nineveh-a gypsum carving of a winged protective spirit, called a lamassu, which was destroyed by ISIS in 2015. Last year, they prepared an Iraqi dinner at London’s Whitechapel Gallery, to celebrate the launch of a cookbook that Rakowitz had edited. Kubba’s owner, the chef Philip Juma, is a friend and a collaborator of Rakowitz. “It should be here,” he said, looking up from a map quizzically. The stall had just opened, and he had never been to it. ![]() He had wrapped himself in a dark coat and a checkered kaffiyeh, which pushed up against his wavy, disordered hair. ![]() ![]() Rakowitz had arrived on a red-eye from Chicago, where he runs a nine-person studio, producing sculpture that shows frequently on the international art circuit. The air was temperamental: a cold mist clung to hair between bouts of drizzling rain. Michael Rakowitz was looking for Kubba, a stall in London’s Borough Market that serves Iraqi cuisine. ![]()
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